on a flower petal bed
The perfume of love
in a plethora of hues
of the present
past in a blink
of the eye
or the flutter
of a butterfly wing.
Taking a break from blogging for awhile. Following a class with the famous yogi, Sadhguru, on Inner Engineering which is quite wonderful and I plan on spending lots of time on. A sample of his way of thinking is below.
(Turn speakers up high)
One chill morning
Of late spring
Beat the heat
To their creator
As they awaken
In a celebration
Spring sunset reflections
Of a late dusk
In the twilight of life
Happy Mother’s Day!
Love and pride in the mother’s eyes, complete trust in the infant’s sleep
and one lone color red
My husband and I sit in our living room with all the little still-intact dairy barn windows showing flakes falling as if we are on ship at sea in a snowfall. Except for the high ceiling the living room has the feeling of a ship cabin, our converted dairy barn, and I think it is most beautiful when the snow is falling.
The glass doors at the pentagon of the far end of the barn gives us perfect view of the suet bird feeder. The bird feeder in winter is our television. We watch male cardinals, bright red in the stark white, feed and contend with the beautiful, bullying blue jays. And the more modest and gentle little juncos and sparrows touch our hearts with their humility.
Like many barns, ours was built near the road so we do get some traffic noise. But in the meadow out back beyond the marsh and stream, we are far removed from the road and from all. And when it snows, it is so beautiful in the quiet, looking at the animal tracks and feeling the spirits in the nearby now-graveless graveyard. Our secret little piece of Paradise. And to stand there in the silence, in the virgin white, and see the abstract patterns of the snow on the surrounding hundreds of trees is Divine.
Every year what budded in autumn blossoms full blown in winter– my love affair with trees. Trees that were drop-dead gorgeous in their fall colors are now bare, with the exception of evergreens and a few stray deciduous trees that refuse to relinquish their leaves. Now the trees are stripped down to their souls and their souls sing a siren song to the universe.
The tops of trees lift my spirit; brushlike they paint the sky the baby pinks and blues of mornings, and the majestic magentas and violets of day’s end. Each tree has its signature shape against the sky, like a fingerprint or a snowflake, similar yet each unique. Some treetops in their bare state are shaped like a fancy coiffure; others look like wrought iron filigree. On distant mountains, against the snowy ground, some look like stubble on an old man’s unshaven face.
It is the colorful winter sky showing through, and showing off, the bare branches that woos me. The bare curvaceous branches are stark, dark lines against the bright of day and the inky sky of night. These resplendent creatures are living lines that explode. Branches tangle like the lines in a Jackson Pollock painting. Others curve in the sensuous lines of a Brancusi sculpture. Buxom tree trunks stand strong surrounded by their dead blossoms and their burgeoning offspring like a Renaissance Madonna. In truth these trees are not like art at all. Rather art imitates them– their beauty provides the timeless inspiration for artists, writers and poets of all ages and styles.
Trees not only inspire, they themselves are paragons of diversity. One look out of a car window while driving on the Taconic and one can see squat pines alongside towering majestic firs, birches interspersed with maple and oak. And together the different brown and tan barks interspersed with evergreens create not only a mosaic of contrasting colors, but display an example to inspire humans to live together in peaceful unity.
These beneficent beings carry the heavy, dark grey clouds of winter. When it snows the tree trunks become canvases for the abstract patterns of windblown-snow, while the serpentine branches are outlined in white. In ice storms their branches become chandeliers, each enveloped in glassine ice. While in the melancholy of a winter rain, the branches become oiled skins of snakes weeping to the ground below. And finally, in the night sky, the branches hold the stars in their arms, those with leaves holding them in their hands, as they nurse the moon.
All trees, no matter what their species, age or height, stand tall in proud humility, their arms reaching up to the Heavens to our Creator in prayer– soft-spoken beings of peace and tranquility towering over us, while the little creatures race around distractedly below.
“I think that I shall never see a poem lovely as a tree… a tree that looks at God all day and lifts her leafy arms to pray.” The opening lines of the poem,“Trees,” by Joyce Kilmer. Indigenous peoples through the ages have talked of tree spirits and trees as wise ones. Trees are striking as they permanently lift their arms to the Heavens in seeming prayer, day and night in communication with the Creator, their outstretched arms reaching for the stars.
Reaching for the stars. The image calls to mind a dance of the Kalahari Bushmen who were featured in the movie “The Gods They Must be Crazy.” The Kalahari, the last men born of the Stone Age culture according to Laurens Van Der Post, have no sense of individuality and so share all they have. They have a dance of gratitude which Van Der Post describes in his book entitled “A Mantis Carol”: “I never see their dancing without feeling deeply moved and utterly irreverent and blasphemous because of our own incapacity for acknowledging what life will give if only we will let it in.” And then there is their dance of the “great hunger,” a dance that says we do not live by bread alone, a dance at life’s end fraught with longing, with arms outstretched taughtly towards the Heavens as they reach for the stars.
My grandfather reached for the stars. He came to the United States, a 16-year-old peasant stonecutter from the mountains of Sicily, knowing no English. He wound up carving the Lincoln Gettysburg address at the Lincoln Memorial in DC. While working on the Gettysburg Address he studied English at night school. I remember him telling me how he was the laughing stock of his fellow stone cutters because, inspired by Lincoln’s words, he carved his initials at the top of the monument, “A.L.” for Anthony LaManna (and, of course, for Abraham Lincoln), followed by: “Attorney at Law.” Working his way through school, he actually did eventually become a VA lawyer. He reached for the stars and touched them without ever forgetting where he came from. And he was childlike as he took care of me, as we danced to records on the victrola or as he played the mandolin and sang to me. I always think of him with a tinge of sadness, for more than anyone, he taught me to reach for the stars.
Reach for the creator– that is what the trees say. At this time of year I yearn for the days of childhood in which God seemed close. This yearning fully ripens each year at Christmas/Hanukkah when the people brighten their houses with festive lights. It is a time of year in which we light up our hearts and look to the heavens and sing songs of love to a babe born not so very long ago, or in which we give thanks for the oil to light the lights of the temple for eight days. We are all really seeking the love that motivated the Kalahari Bushmen to do their dance. We are seeking a savior, and yearning for the Light in this overlit, commercialized, complicated world in which the inspiring simplicity of the Bushmen, the peasant, is rapidly disappearing. And the trees touch my heart in their upward reach for the Heavens. For at this time so many millions of them are sacrificed as they have become our Christmas trees and Hanukkah bushes, to be discarded after the holidays are over.
May we experience this holy season with a simpler yearning, not for presents and parties and hoopla, but with our hearts full of gratitude, taking lessons from the trees, from the Kalahari Bushmen, from our ancestors, and seek Love, in whatever form it takes in our souls.