Verticalia
Naked trees reach
upwards toward the sky
in pursuit of our Creator
Trees dressed in flowers
turn our eyes skyward
to gaze at cottony clouds
Church towers
carry our sight
to the bright blue heavens
as we stand
gazing
in unparalleled awe.
Feathery Fog
(Click on image to enlarge)
January trees
please and tease
their feather-arms
tickle the skies
gratify the eyes
their lattice work branches
the soft, silky brush strokes
of a winter masterpiece
The Silent Cathedral
Listen
to the silence
of the trees
they communicate
in ways
science knows not
yet
and
the fog and the snow and the mist
the incense
suffusing
the silent cathedral
The Spiders’ Secret
A chill wind blows the yellowing leaves off the trees. They drift down to the ground like giant snowflakes. The air is pregnant with the feel of the coming holidays. Fall has truly come, with the sudden drop in temperatures, a full 10-20 degrees cooler than a few weeks ago. This is the real Fall, no faltering Fall, but a Fall that will guide us appropriately into winter. November appears as a mirror image of March with its vibrant color of decay, while March is the decaying color of about-to-burst-forth Spring.
The birds are at the bird feeder all the time now. They are not stopped by our presence when we come to fill the feeder or blow leaves under it. Nothing stops them. They swoop around the feeder and the surrounding trees like Kamikaze pilots, darting here and there recklessly. The squirrels are in a frenzy as well, stock piling acorns and walnuts which they will retrieve without fail in a month or so in a snow-covered land.
To me, the trees are most beautiful at this time of year, when many of them are bare and a scattering of leaves remain on dark brown branches. The leaves that remain quiver daintily in their precarious positions on the tree limbs. Yet these are the survivors. The other leaves have fallen and gone the way all living things eventually go. Most trees have lost all their leaves and they stand in stark contrast against the blue sky, the stormy sky, the grey sky. But I find them most beautiful against the night sky, with arms reaching up to the darkness, trying to touch the stars twinkling between the branches, as moonlight dances on their limbs.
November holds the last glimmer of color. A carpet of yellow lines the woods now– and one can see inside the woods that are so dark and impenetrable in summer. Some forests have carpets of oak leaves– dark brown tan in color. Others are paved with variegated colors– vibrant crimsons against yellows and faded greens and tawny tans. The un-mown lawns are now taken over by the spiders covering the fields. At precious moments, one can see a world of webs that only appears in a certain slant of sunlight and reveal a silent take-over by the spiders in webs that sparkle secretly, mirroring the infinite web of creation.
The yellow, brown, and crimson leaves are complemented by the ubiquitous yellow, brown and crimson mums that appear on the roadside near mail boxes, on porches or along driveways. These tough little flowers withstand frosty chills and stand tall throughout most of November– hearty, generous souls, so giving in their colorful, velvety splendor.
Halloween pumpkins begin to sag a bit or shine with wetness as if encased in glass. They will soon be tossed– pine combs, wreaths and fir swags to take their places, and the season of lights will begin. Anticipation hangs in the air. Autumn seems the fastest season to come and go. I try treasuring each moment, but the minute/hours/days just sift through my fingers like so many grains of sand. Then Christmas/Hanukkah comes and fades in a flash and we are into the Nor’Easter blizzards of January. Another year is gone and a new one has come. Would that we could be in forever in the season of love, but it is also a season of loneliness and loss and darkness. It is good we are defenseless against time.
Now, at Thanksgiving, it is our time to give thanks. Inspired by the Native Americans, let us thank the earth. Let us give thanks to the trees for their constantly changing beauty, to the stars for their piercing presence in the night sky, to the leaves for their inspiring colors, to the sun for its life-giving power. Let us thank the Spring for its awakening hope, the Summer for its warm, thriving growth, the Fall for its beauteous bounty, to the Winter for a time of renewal. Let us thank the soon-to-come snow for its hushed, white silence that transforms our world, to all the animals for their pure souls, to our families and friends for their precious love, and, lastly, but mostly, to the Higher Power of our belief for the macrocosm of creation.
Happy Thanksgiving and may you each be blessed with the all-embracing, pervasive, pulsating Love in Nature.
Ode to a Lily
Oh gentle
Lily of the Valley,
bowed down in quiet prayer
to your Creator,
your humility,
your simplicity
is your beauty.
~
How like the trees art thou
who, unlike you,
reach skywards,
while you kneel
with sensuous spirituality
in deference to the Almighty.
~
Oh beauteous
Lily of the Valley,
would that we all were like thee
in thy hushed humility.
Looking for the Light
In the golden hour
Spring sprouting trees
dainty with bud,
a delicate delight
devoured
by the hungry devotee.
Fleeting Filigree
Winter is dying
and dead trees
are coming to life.
Your sap is starting to flow
bringing forth birthing buds
of spring as
people clammer
for the greenery of summer.
But I love you most
when you are naked, nude, and vulnerable,
stripped bare of beautiful-to-be sure
spring/summer finery.
I mourn your fleeting filigree
on this snow-showery day
of comforting gloom and grey
and feel kinship with you
as you stand staunch against the cold
and stark against the feathery flakes of white.
I think you most beautiful
in your bare-arm-intricacy,
and lace-like, linear patterns
drawn against a back-drop of sky,
as you reach for the Almighty.
Homage to Mondrian
Piet Mondrian (1872-1944) was a Dutch painter who believed in the spiritual in nature. His art was an expression of that spirituality. He believed that the trees, the verticals in nature, were the masculine principle, and the earth, the female. Together the union of the male and female constituted the beauty of creation. He started out painting vibrant trees and eventually wound up painting complete abstractions of vertical and horizontals with primary colors– very unlike his early landscape painting, but the underlying principles were the same.
The Trees of Winter
Every year what starts as a budding romance in autumn blossoms into a full-blown love affair in winter– my pitter-patter passion for trees. Trees that were drop-dead-gorgeous in their fall colors are now bare, with the exception of evergreens and a few stray deciduous trees that refuse to relinquish their leaves. Stripped down to their souls and the trees sing a siren song to the universe.
The tops of trees lift my spirit; brush-like they paint the sky with the baby pinks and blues of mornings, and the majestic magentas and violets of day’s end. Each tree has its signature shape against the sky, like a fingerprint or a snowflake– similar yet each unique. In their bare state, some treetops are shaped into fancy coiffures– others into wrought iron filigree. On distant mountains, against the snowy ground, still others assume the image of stubble on an old man’s unshaven face.
It is the colorful winter sky showing through, and showing off, the bare branches that woos me. The bare, curvaceous branches are stark, dark lines against the bright of day and the inky sky of night. These resplendent creatures are living lines that explode. Branches tangle like the lines in a Jackson Pollock painting. Others curve with the sensuous lines of a Brancusi sculpture. Buxom tree trunks stand strong surrounded by their dead blossoms and their burgeoning offspring like a Renaissance Madonna. In truth these trees are not like art at all. Rather art imitates them– their beauty provides the timeless inspiration for artists, writers and poets of all ages and styles.
Trees not only inspire, they are paragons of diversity. One look out of a car window while driving on the Taconic and one can see squat pines beside towering majestic firs, birches interspersed with maple and oak. And together the different brown and tan barks interspersed with evergreens create not only a mosaic of contrasting colors, but display an example to inspire humans to live together in peaceful unity.
These beneficent beings carry the heavy, dark grey clouds of winter. When it snows the tree trunks become canvases for the abstract patterns of windblown-snow, while the serpentine branches are outlined in white. In ice storms their branches become chandeliers, each with glassine ice crystals tinkling in the wind. In the melancholy of a winter rain, the branches become oiled skins of snakes weeping to the ground below. And finally, in the night sky, the branches hold the stars in their arms, those with leaves, in their hands, as they nurse the moon.
All trees, no matter what their species, age or height, stand tall in proud humility, their arms reaching up to the Heavens to our Creator in prayer– soft-spoken beings of peace and tranquility towering over us, while we, wee, little creatures race around distractedly in a dither below.
Winter Tree Filigree
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Reaching for the Stars
“I think that I shall never see a poem lovely as a tree… a tree that looks at God all day and lifts her leafy arms to pray.” The opening lines of the poem,“Trees,” by Joyce Kilmer. Indigenous peoples through the ages have talked of tree spirits and trees as wise ones. Trees are striking as they lift their arms to the Heavens in seemingly permanent prayer, day and night in communication with the Creator, their outstretched arms reaching for the stars.
Reaching for the stars. The image calls to mind a dance of the Kalahari Bushmen who were featured in the movie “The Gods They Must be Crazy.” The Kalahari, the last men born of the Stone Age culture according to Laurens Van Der Post, have no sense of individuality and share all they have. They have a dance of gratitude which Van Der Post describes in his book entitled “A Mantis Carol”: “I never see their dancing without feeling deeply moved and utterly irreverent and blasphemous because of our own incapacity for acknowledging what life will give if only we will let it in.” And then there is their dance of the “great hunger,” a dance that says we do not live by bread alone, a dance at life’s end fraught with longing, with arms outstretched taughtly towards the Heavens as they reach for the stars.
My grandfather reached for the stars. He came here, a 16-year-old peasant stonecutter from the mountains of Sicily, knowing no English. He wound up carving the Lincoln Gettysburg address at the Lincoln Memorial in DC. While working on the Gettysburg Address he studied English at night school. I remember him telling me how he was the laughing-stock of his fellow stone cutters because, inspired by Lincoln’s words, he carved his initials at the top of the monument, “A.L.” for Anthony LaManna (and, of course, for Abraham Lincoln), followed by: “Attorney at Law.” Working his way through school, he actually did eventually become a VA lawyer. He reached for the stars and touched them without ever forgetting where he came from. And he was childlike as he took care of me, as we danced to records on the victrola, or as he played the mandolin and sang to me. I always think of him with a tinge of sadness, for more than anyone, he taught me to reach for the stars.
Reach for the Creator– that is what the trees say. At this time of year I yearn for the days of childhood in which God seemed close. This yearning fully ripens each year at Christmas/Hanukkah when the people brighten their houses with festive lights. It is a time of year in which we light up our hearts and look to the heavens and sing songs of love to a babe born not so very long ago, or in which we give thanks for the oil to light the lights of the temple for eight days. We are all really seeking the love that motivated the Kalahari Bushmen to do their dance. We are seeking a savior, and yearning for the Light in this overlit, commercialized, complicated world in which the inspiring simplicity of the Bushmen, the peasant, is rapidly disappearing. And the trees touch my heart in their upward reach for the Heavens. For at this time so many millions of them are sacrificed as they become our Christmas trees and Hanukkah bushes, to be discarded after the holidays are over.
May we enter this holy season with a simpler yearning, not for presents and parties and hoopla, but with our hearts full of gratitude, taking lessons from the trees, from the Kalahari Bushmen, from our ancestors, and seek the Light, in whatever form it takes in our souls.
Moonrise Filigree
All limited edition original photographs available in different sizes and
formats.
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