Newborn lambs
eat joyfully
and frolic freely,
with abundant abandon
and love for life,
in utter oblivion
of the upcoming holiday
for which so many will die.
You look at me
and see hamburger,
filet mignon,
roast beef au jus.
But I am a mother/father/sister/brother.
I look at you with curiosity,
and innocence
and in the end
I will be betrayed.
But I don’t live on a factory farm
so I don’t know that yet.
I offer the following short short video by Paul McCartney for educational value. I leave the option whether you want to view it to you. It contains graphic and upsetting images but meat eaters should know how the meat comes to their plate and how factory farms operate. Taking pictures of farm animals and this video made me stop eating beef, pork and lamb– am working on eliminating chicken and fish.
Sap is flowing through ice and snow
When nature awakens in late March or early April, sap starts flowing in the trees and ice changes to water marking the end of hibernation. This is the grand opening of the wetlands and the pilgrimage to the vernal pools as David M. Carroll writes in his “Swampwalker’s Journal: a Wetlands Year.” A vernal pool is a body of water which fills up in autumn and winter and is swollen in the spring but often dries up completely by the end of the summer. Carroll describes vernal pools so beautifully: “It is at snowmelt and ice-out, the last sleets, first rains, and the earliest warming breaths of spring that they beckon wood frogs, salamanders, and spring peepers from surrounding upland woods, where they have passed the winter in rotted-out trees roots [a reason not to ‘clean up’ the woods], under layers of bark and litter, in small mammal tunnels and other hibernacula in the earth.” The melting snow heralds the march of the amphibians. “Vernal pool habitats hold a galaxy of small things that come to life the instant ice and snow turn back into water.”
Carroll walks the swamps, as the title of his book suggests, in search of mating salamanders and spotted turtles, bogs, fens and all wetland flora and fauna. He tells us that there must be a certain collusion of events– several warm days in a row followed by a darkest of nights with temperatures ideally in the mid-50s with rain preferably two nights in a row. And then the magical migration begins. The salamanders begin their “annual pilgrimage” to the vernal pond to mate.
My husband and I are lucky enough to have a vernal pond on the property next door to us and when Spring comes the sound at night from that pond makes us feel as if we are camping out next to a vast wetland. The music of the spring peepers plays through the night throughout the house, often starting overeagerly in the late afternoon. This manic symphony thrills us every year. It is the first sign of Spring for us. The quality of joyousness and the affirmation of life gladdens our souls. Going to sleep with that sound makes us remember what we so often forget, to give thanks to our Creator for His magnificent creatures.
Inspired by Carroll, one year we awaited the first dark, rainy warm night after a succession of warm days. In our rain gear, armed with flashlights we set out around 11PM to look for the march of the salamanders. We walked to the nearby pond. Nothing. We walked quite aways down a nearby dirt road that has run off but is not quite a vernal pond. We shone the flashlight this way and that. Nothing. We finally headed home disappointed and dejected and my husband started towards the front door when I let out a yelp. There in the doorway was a 6 inch spotted salamander in all its glory! We never found the march of the salamanders but we were greeted by one of these fantastic amphibians right at our front door!
This story, however, does not have a happy ending. In his epilogue to the “Swampwalker’s Journal,” David Carroll explains why it took him more than 7 years to complete this book. He writes that he became involved in saving some of the wetlands in his book and says sadly nearly all of his interventions have or will become “losing battles.” He describes the plight of the wetlands, bogs and fens as a “landscape of loss.” And he scorns our human selfishness as he writes how it “reveals explicitly the extent to which we think of ourselves as owning all living things, along with the very earth, air, and water in which they live, as if we possessed some divinely mandated dominion over all creation.” He warns: “As we will learn in time none of this belongs to us.” I read these words, knowing them to be true and I think of the soon-to-be-extinct bog turtle and other creatures with the same possible fate. I think of the spotted salamander who came to our door, as did Shelley, the snapping turtle who used to return to our drive way every year to lay her eggs. I think of the spring peepers whose joyous song heralds spring next door every year, and I fear for the future of them all.
Thought Moonside could use a little levity on this Vernal Equinox Eve with Peter Cook and Dudley Moore in their Art Gallery comedy Skit that features ducks. Ducks have now returned to the
the few ponds and lakes that have defrosted, gathering in large groups. I caught one lone duck apart from the rest– perhaps an Asperger’s duck (I think I can say that being Aspie myself with an Aspie husband). Enjoy the clip on ducks from the skit in the video below.
I look down at the catalogue card on my desk. I look at the first subject heading. It says: “City planning – Zoning.” I see the word “City” and I see the word “planning” but I see them as “City – planning – Zoning,” something I’ve never seen before. I go over to Tony.
“Tony, is this a new subject heading? I’ve never seen the two together before.”
Dr. Lencek is standing by, listening and he says, “Ah, indirect communication.”
I hold the words in my mind. “Indirect communication.” What does he mean?
Tony answers gently, “Ellen, that’s not a new subject heading— we’ve used it before.”
I look down at the card. Of course, it isn’t a new heading. Now the words look normal. “City planning – Zoning.” My face burns hot and red. How stupid! I’ve used the heading for years. I slink back to my desk in embarrassment.
“It will get easier,” Dr. Lencek says.
“INDIRECT COMMUNICATION.” DR. LENCEK SAID THAT AFTER YOU SAID YOU HAD NEVER SEEN THE TWO TOGETHER BEFORE. YOU MEANT THE TWO PERSONALITIES INSIDE YOU. YOU HAVE NEVER SEEN THEM BEFORE. YOU WERE DESCRIBING YOUR MENTAL STATE IN INDIRECT COMMUNICATION. THAT’S WHAT DR. LENCEK MEANT. THAT’S WHY DR. LENCEK IS ALWAYS TELLING YOU TO FREEZE ONE PARTICULAR MOMENT IN TIME AND KEEP IT IN THE MEMORY. “HOLD IT IN YOUR MIND,” HE ALWAYS SAYS. HE IS TRYING TO GET YOU TO BE ONE MIND— ONE PERSON. YOU’RE SPLIT IN TWO.
I feel weaker than ever now, though I am sitting. I look over at Dr. Lencek who is standing nearby Tony’s desk working. I want to hug him. All the times I was so nasty to him when he was trying to communicate with me . . .
IT’S THE PLAN. IT’S THE PLAN YOU OVERHEARD DANIELLE DISCUSSING WITH CAROLINE. YOU OVERHEARD DANIELLE SAY HOW SURPRISED SHE WAS THAT THE PERSONNEL HEAD WOULD ALLOW THEM TO GO THROUGH WITH THE PLAN. DANIELLE HAD THOUGHT THE HEAD WOULD HAVE SAID NO. THEY WERE PLANNING TO SHOW YOU HAD TWO PERSONALITIES.
But why would they bother helping me in this way? Why would they bother helping me at all after all my moodiness and fits of anger?
I am shaking now. I try to get up from my desk to look up the call number for the book. Dr. Lencek is standing by. Tony and Danielle are standing to the side watching me as I try to get up. I try to put one foot in front of the other. It is as if I have forgotten how to walk. My legs and feet don’t move the right way. I look up at Danielle. She probably overheard most of the conversation between Tony and me from this morning. She knows what is wrong with me. This is why she has kept away. She is watching me with an expression so dramatic that it is easy for me to see worry and compassion. There are tears in her eyes. For once I can feel the love. I want to run into her arms and cry. But I cannot walk. It is as if I am a big baby and when I finally do manage to walk slowly past them to the back of the room, I am unable to respond when Eva passes by and says hello. It is taking all my power and concentration just to walk to get where I am going. I suddenly am so exposed. Like a baby walking down the aisle. But, no, it is like I am being wheeled down the aisle. Something is moving me down the aisle and it is not my feet. I am in a big, dark, round cave. And in one corner of the cave is a small opening where the light shines in.
From Chapter 11 of my memoir on Amazon: http://www.amazon.com/Eye-locks-Other-Fearsome-Things-ebook/dp/B007TOOF56/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1345051643&sr=1-1&keywords=eye-locks Also available on Barnes & Noble Nook, iBooks and Smashwords.
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