TRIUMPH OF SPIRIT IN LOVE, NATURE & ART

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Vibratory Connections


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The reverberations of love

jump across time and space

to another receptive heart.

 

The reverberations of suffering

resound around the earth

picked up by open souls in prayer.

 

The reverberation of aum

sacred sound of the universe

pulses through meditating mind.

 

Love brings the possibility of loss

suffering brings a totality of pain

Aum brings the reality of God within.


The Line is Dead


She’s finally gone

after fighting for life for

6 months of painful half-life

and multiple causes of death.

               *

Gone is my last link

with Grandma and Grandpa

and happy days in Larchmont,

Grandpa playing the mandolin,

me dancing,

and Grandma cooking

unimaginable treats.

Happy days in Larchmont,

the Larchmont one weekend

Aunt Nina and I revisited

with our respective spouses

and cried tears of nostalgia.

                     *

Aunt Nina died Saturday,

the last of the LaMannas,

the aunt who knit the best-ever

Christmas stockings for

my brother and sister and me

which I still drag out every year.

The aunt who let me

play with her jewelry

in her blue bedroom

in Larchmont

with light that slid in

through the venetian blinds

and danced a jitterbug

atop Renoir prints,

with twin beds

covered in puff-ball bed spreads,

kept so clean by Grandma and

Aunt Nina wanting to sleep

and me pestering her to play.

                    *

Aunt Nina took me home once by taxi,

back to the city I hated

when I was sick.

She nursed me on the ride

And said “hang in there”

and held my hand

as I said to her a month ago

as she lay shriveled into a ghost

of her former self.

          *

Gone are the days

of spaghetti and meatballs,

Arancini and sugar cookies,

wine and mandolin,

chewing gum in the desk,

watching at the windows

with Grandpa, as evening

fell all around.

Days of Big Grandma Castiglione

in her light-filled, white-tiled,

lace-curtained, one-room apartment,

with holy water font

and the smell of steam

in the yellow kitchen.

             *

Gone are the days of

visiting Nina as she raised

her two “adopted angels”

as they were called,

and, who, with my uncle, she crafted

into two magnificent children

and later had four grandchildren

who adored them both.

Larchmont repeated.

            *

Gone are the days of

visiting Aunt Nina in Kent, CT

and later in Danbury,

now much older and

with my husband whom

Aunt Nina and Uncle Ray

welcomed with open arms

and grew to love,

my husband of almost 24 years

who never knew this love as a child

and so does not know its loss.

            *

Gone are the days

of a phone call

every few weeks,

Aunt Nina always seeming

happy to hear my voice as

she exclaimed “Ellen!”

as we talked about problems:

difficulties in the best of marriages

the downhill spiral of my Mom

after Dad died,

Nina giving support while

my husband and I cared for Mom

during her difficult path to death,

Aunt Nina listening to me recount

the downhill spiral of my brother

as he spent 3 years

dying of lung cancer.

And we talked of our

problems with anxiety

and later of her sorrow and fears

as her friends were dying

and she was fighting Parkinson’s,

bravely shouldering through every day.

           *

Gone are the days

of pasta salads and olives

and prosciutto and provolone

as Aunt Nina and Uncle Ray

visited our little barn upstate,

where we laughed and laughed

in the Memorial Days sunshine.

          *

Gone gone gone

my Italian heritage,

the last of my blood elders.

Aunt Nina was there

For 63 years,

All of my life

and all I can do

is cry

and try

to imitate

her admirable character.

For the Lord giveth and

the Lord taketh away

but why such pain

when he taketh away?

          *

Because love grew

year by year

visit by visit

phone call by phone call.

I did thank her,

before the end began,

in a foresightful note,

telling how great an aunt she was.

God put the thought in my head,

and for that I am grateful,

for now it is too late

for now the line is dead.


Change Your Reality by a Thought.


thomasmaxwell12's avatarSimple Tom

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Change Your Reality by a Thought

I just finished reading a book called happy pocket.

It was one of the most mind bending books on success and the world around us that I’ve ever read. It opened my mind up to sooo many ideas, but the main thing was we literally have complete control over every aspect of our lives.

It broke down the science of success and happiness to quantum physics… haha probably sounds a little crazy already 😉 The basic principle that It talks about though is that we are the cause of our circumstances, not the result.

What Is Energy?

To tell you how that works, I gotta break it down first.. When you look at a cell under a microscope its made up of molecules, those molecules are made up of atoms, which are made up of sub-atomic particles which aren’t made up of energy, they are energy. 

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That Extra Squeeze


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Hold your dear ones a little closer today

Give them an extra squeeze as you say goodbye

*

Rejoice in making their breakfasts

and doing their dishes

and mending their socks

or working in a job you hate

to keep them

housed, clothed and fed

For the work you do means

they are still alive

*

The horror of terror

has struck again

on our soil

What is de rigeur

in other countries

has happened here

and shaken us

out of our complacency

Terror “there”

is now terror “here”

*

Hold your dear ones a little closer today

Give them an extra squeeze as you say goodbye

For after yesterday

many cannot

*

And pray for the first responders

and their families

the unhailed heroes of our land

who face bad odds everyday

*

Hold your dear ones a little closer today

Give them your blessing as you say goodbye

For each goodbye could be the last

has always been true

but terrorism has taken that truth

and shoved it in your face

*

Hold your dear ones a little closer today


Swarms


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The attack

not killer bees

nor locusts

nor hornets

nor any insect

but the contents

of the mind

 

Tied up in knots

not safe

not secure

not strong

not peace

 

Sick with

the plague of fears

negative thoughts

insidious

invidious

poison

killing  joys

bringing tears

of pain

and loss

and grief

 

The swarms cloud the sun

taking away the Light

and all it enraptures

attacking

the very source

of life

Love


Traveling Through Violet


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Light moves

silently

stealthily

surreptiously

in the dark violet

of nightfall

reflections

of phantasms

fill the windows

for I am full of fear

in the silent hum

of darkness


Through the Green Lightly…


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through the pale veil of green

the tusset grasses grow

as the greening of the marsh

intensifies each longer day

while below frogs

and turtles

and fairy shrimp

dance their rite of spring

prey for the ducks,

crows, bald eagles,

  ephemeral lives

 we watch

nature raw

unawares

of the fragility

of us


Within Blue Prison Walls…


love happens

 hugs and kisses

within the pen.

Love triumphant

over blue confinement.

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Looking for the Light


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In the golden hour

Spring sprouting trees

dainty with bud,

a delicate delight

devoured

by the hungry devotee.


Oceanic Sky


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An ocean of sky

with wavelet clouds

over volcanic fire

brings the Silence of You


Resurrection of the Light


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Tuesday was the first day of Passover and Sunday is Easter.  A holy season.

Below a holy song by Yusuf/Cat Stevens says it all — whatever denomination.


Violet Reflections


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Today the sky reflects violet on the marsh

as statues stand shrouded purple in Catholic Churches.

Today my eyes weep blue tears, mirroring the sky,

at the slights, the fights, the cruelty of human nature.

Mine but pinpricks by comparison

to the persecution, execution and death

of innocents, of earth, of nature

and of He who was known as Jesus.


Mother and Child


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Proud mother,

smiling unmistakable smile

as little lamb, curled up,

sleeps safely beside her,

for now.

Tomorrow

 both mother and child

will cry anguished tears,

 suffer a searing separation,

as they take little one away,

hopefully out of sight and sound

of mother,

to bring little lamb to slaughter

for a holiday meal.


“The Club”


It is Friday night.  Ten thirty and I still have not eaten.  I walk into the kitchen, take out a can of soup and dump the contents into a pot.  I walk into the bathroom, open the medicine cabinet and stare at the three bottles on the top shelf.  Mellaril.  Stellazine.  Valium.  I have already taken my Stellazine.  Valium is the drug of choice for the night.  I take one of the yellow pills out of the Valium bottle, go into the kitchen again and pour glass of wine.  The pill goes down.  The wine goes down.  And the soup goes into a bowl.  I sit in the yellow light at the kitchen table, and force myself to swallow the soup that doesn’t want to go down.  Another glass of wine.

SHIT!  IT’S 11:00.  YOU’RE NOT GOING TO PULL ANOTHER STUNT LIKE LAST SATURDAY.  DRESSING AND UNDRESSING.  GETTING UP ALL THE NERVE AND LOSING IT.  HIGH.  SO HIGH.  READY TO GO FINALLY AT 1:00 A.M. AND THEN DECIDING IT WAS TOO LATE.  TOO LATE TO GO ROAMING AROUND NEW YORK ALONE.  YOU CAN’T DO THAT AGAIN.  BUILDING UP ALL THE TENSION AND THEN JUST GOING TO BED.  YOU CAN’T DO THAT AGAIN.

I wash the dishes.  Brush my teeth.  Comb my hair.  Change my blouse.  Change my shoes.  Comb my hair again.  Change into a different pair of shoes.

SHIT!  11:30.  GET OUT OF HERE.  GO!  JUST GO!

I walk into the street and into the late February night.  It is freezing.

TAKE A CAB.  A BUS.  NO, WALK.  IT’S OKAY.  WALK.  JUST MOVE ONE LEG IN FRONT OF THE OTHER AND WALK.

72nd St.  68th St.  66th St. The streets go by so fast.  Too fast.  65th  St.  I approach the door.  This is it.  A camel flashes in red neon lights in the window and above that a sign painted in gold appears to vibrate in the neon light—  “Arabie”.  “The Club” as it is known.  Four women are in front of me.  Two guys hanging out in front of the disco next door make comments.  The women make like they don’t hear.  I can’t make out what the guys are saying.  I just follow the four women in through the red door.  I’m doing it.  I’m actually doing it!  A stout man asks me for five dollars as I get to the door and he gives me two tickets.  The tickets say they are good for one drink.  I follow the four women inside and line up to check my coat in the cloak room on the left.  It is lined in red velvet.  I fumble with the coat check ticket as I try to take the whole scene in at once.  The walls are also lined in red velvet.  I feel as if I have walked inside a giant womb.  The air is filled with smoke and a flood of voices overwhelms my ears.  Twinkling lights line the reflection-laden mirror behind the bar.  I try to take a breath.  I see women everywhere. Sexy looking women.  Butches.  Dykes.  All kinds of women.  Women talking.  Women hugging.  Women kissing.  I feel dizzy and giddy.  I feel all eyes are upon me, but walking up to the bar to order a drink I relax a bit and I see they are not.

THIS IS PERVERTED STUFF.

My legs want to run back out of the door into the street for a breath of air.

NO.  YOU’VE GOT TO SEE.  CALM DOWN.  LISTEN.  HEAR THE MUSIC.  IT’S COMING FROM THE BACK.  THERE’S AN UPSTAIRS.  GO TO THE BAR.  GET A DRINK AND THEN GO TO THE STAIRS.  CLIMB UP THE STAIRS AND LOOK AROUND.  YOU’RE JUST SCARED.  YOU HAVEN’T COME THIS FAR JUST TO RUN OUT THE DOOR AGAIN.  RELAX.  LOOK RELAXED, GODDAMN IT, OR THEY’RE GOING TO THINK YOU’RE STRAIGHT.  RELAX, YOU FOOL.

I down the rest of my drink and go over to the bar to order another.  I gulp.  My body slowly loosens to the effects of the alcohol.  The tension in my muscles unwinds in hot little waves.  I want to dance.  Women with women.  It doesn’t seem perverted anymore.  I decide I like it.  I feel safe.  I feel free at long last.  Free to be me.

I watch a woman in a long white skirt dancing near the bar by herself.  She sees me looking and smiles.   Is she smiling at me?  I look away.

I sip the rest of my second drink more slowly.  More women are coming upstairs to dance and the dance floor is filling up.  The wall opposite the bar and the DJ station is all mirrored and the reflections of the dancing bodies double the size of the crowd.  I begin to feel giddy with the smoke and the reflections and the music and the alcohol and the bodies.  I lean against the bar to steady myself.  I watch the dancers and through the sea of undulating bodies I see a woman leaning up against the mirrored wall watching.  She is alone.  Tall.  Black.  Well-built.  Dressed all sexy with a blouse open at the neck and tight fitting jeans and boots.  She stands straight and cool with her shoulders thrown back and her head held high on the muscular body of a dancer.  Her eyes a counterpoint of pride and vulnerability.  She sees me looking.  I keep staring and when the woman looks over to me again I let my eyes meet hers.  Our eyes play a game of flirtation across the room, between the sea of dancing bodies which separates us.  My courage is building.  When the woman looks over again, I smile.  The woman smiles back.  She walks across the room to where I am standing at the bar.

“Would you like to dance?” she asks in a sweet, accented voice.

From Chapter 6 of my memoir on Amazon: http://www.amazon.com/Eye-locks-Other-Fearsome-Things-ebook/dp/B007TOOF56/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1345051643&sr=1-1&keywords=eye-locks  Also available on Barnes & Noble Nook, iBooks and Smashwords.


Innocence Sacrificed


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Newborn lambs

eat joyfully

and frolic freely,

 with abundant abandon

and love for life,

in utter oblivion

 of the upcoming holiday

for which so many will die.


A Resurrection


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“Washed out” colors soon will be scintillating

and bare branches budding

with brown bush breaking out in full flowering regalia.


“Let’s Just Hold Hands”


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They have been married for 52 years.

Now she is in rehab

on a feeding tube,

a phantom of her former self,

so frail.

And he is hail

for her.

He says to her:

“Let’s not talk about the past.

Let’s not talk about the future.

Let’s just sit here and hold hands.”

And so they sat for three hours

until the darkness fell.


Mid-March Reflections


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What is referred to as the “washed-out” landscape

of March

is brimming with the glow of secret growth

about to burgeon forth

into a verdant folly of spring green.


No. 149


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You look at me

and see hamburger,

filet mignon,

roast beef au jus.

But I am a mother/father/sister/brother.

I look at you with curiosity,

and innocence

and in the end

I will be betrayed.

But I don’t live on a factory farm

so I don’t know that yet.

I offer the following short short video by Paul McCartney for educational value.  I leave the option whether you want to view it to you.  It contains graphic and upsetting images but meat eaters should know how the meat comes to their plate and how factory farms operate.  Taking pictures of farm animals and this video made me stop eating beef, pork and lamb– am working on eliminating chicken and fish. 


The Crush of Paranoia


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“Landscape of Loss”


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Sap is flowing through ice and snow

When nature awakens in late March or early April, sap starts flowing in the trees and ice changes to water marking the end of hibernation.  This is the grand opening of the wetlands and the pilgrimage to the vernal pools as David M. Carroll writes in his “Swampwalker’s Journal: a Wetlands Year.”  A vernal pool is a body of water which fills up in autumn and winter and is swollen in the spring but often dries up completely by the end of the summer.  Carroll describes vernal pools so beautifully: “It is at snowmelt and ice-out, the last sleets, first rains, and the earliest warming breaths of spring that they beckon wood frogs, salamanders, and spring peepers from surrounding upland woods, where they have passed the winter in rotted-out trees roots [a reason not to ‘clean up’ the woods], under layers of bark and litter, in small mammal tunnels and other hibernacula in the earth.”  The melting snow heralds the march of the amphibians.  “Vernal pool habitats hold a galaxy of small things that come to life the instant ice and snow turn back into water.”

Carroll walks the swamps, as the title of his book suggests, in search of mating salamanders and spotted turtles, bogs, fens and all wetland flora and fauna.   He tells us that there must be a certain collusion of events– several warm days in a row followed by a darkest of nights with temperatures ideally in the mid-50s with rain preferably two nights in a row.  And then the magical migration begins.  The salamanders begin their “annual pilgrimage” to the vernal pond to mate.

My husband and I are lucky enough to have a vernal pond on the property next door to us and when Spring comes the sound at night from that pond makes us feel as if we are camping out next to a vast wetland.  The music of the spring peepers plays through the night throughout the house, often starting overeagerly in the late afternoon.  This manic symphony thrills us every year.  It is the first sign of Spring for us.  The quality of joyousness and the affirmation of life gladdens our souls.  Going to sleep with that sound makes us remember what we so often forget, to give thanks to our Creator for His magnificent creatures.

Inspired by Carroll, one year we awaited the first dark, rainy warm night after a succession of warm days.  In our rain gear, armed with flashlights we set out around 11PM to look for the march of the salamanders.  We walked to the nearby pond.  Nothing.  We walked quite aways down a nearby dirt road that has run off but is not quite a vernal pond.  We shone the flashlight this way and that.  Nothing.  We finally headed home disappointed and dejected and my husband started towards the front door when I let out a yelp.  There in the doorway was a 6 inch spotted salamander in all its glory!  We never found the march of the salamanders but we were greeted by one of these fantastic amphibians right at our front door!

This story, however, does not have a happy ending.  In his epilogue to the “Swampwalker’s Journal,” David Carroll explains why it took him more than 7 years to complete this book.  He writes that he became involved in saving some of the wetlands in his book and says sadly nearly all of his interventions have or will become “losing battles.”  He describes the plight of the wetlands, bogs and fens as a “landscape of loss.”   And he scorns our human selfishness as he writes how it “reveals explicitly the extent to which we think of ourselves as owning all living things, along with the very earth, air, and water in which they live, as if we possessed some divinely mandated dominion over all creation.”  He warns: “As we will learn in time none of this belongs to us.”  I read these words, knowing them to be true and I think of the soon-to-be-extinct bog turtle and other creatures with the same possible fate.  I think of the spotted salamander who came to our door, as did Shelley, the snapping turtle who used to return to our drive way every year to lay her eggs.  I think of the spring peepers whose joyous song heralds spring next door every year, and I fear for the future of them all.


Ducks in the Morning, Ducks in the Evening…


Thought Moonside could use a little levity on this Vernal Equinox Eve with Peter Cook and Dudley Moore in their Art Gallery comedy Skit that features ducks.  Ducks have now returned to theDSCN2431 copy

the few ponds and lakes that have defrosted, gathering in large groups.  I caught one lone duck apart from the rest– perhaps an Asperger’s duck (I think I can say that being Aspie myself with an Aspie husband).  Enjoy the clip on ducks from the skit in the video below.


Two of Me?


I look down at the catalogue card on my desk.  I look at the first subject heading.  It says: “City planning – Zoning.”  I see the word “City” and I see the word “planning” but I see them as “City – planning – Zoning,” something I’ve never seen before.  I go over to Tony.

“Tony, is this a new subject heading?  I’ve never seen the two together before.”

Dr. Lencek is standing by, listening and he says, “Ah, indirect communication.”

I hold the words in my mind.  “Indirect communication.”  What does he mean?

Tony answers gently, “Ellen, that’s not a new subject heading— we’ve used it before.”

I look down at the card.  Of course, it isn’t a new heading.  Now the words look normal.  “City planning – Zoning.”  My face burns hot and red.  How stupid!  I’ve used the heading for years.  I slink back to my desk in embarrassment.

“It will get easier,” Dr. Lencek says.

“INDIRECT COMMUNICATION.”  DR. LENCEK SAID THAT AFTER YOU SAID YOU HAD NEVER SEEN THE TWO TOGETHER BEFORE.  YOU MEANT THE TWO PERSONALITIES INSIDE YOU.  YOU HAVE NEVER SEEN THEM BEFORE.  YOU WERE DESCRIBING YOUR MENTAL STATE IN INDIRECT COMMUNICATION.  THAT’S WHAT DR. LENCEK MEANT.  THAT’S WHY DR. LENCEK IS ALWAYS TELLING YOU TO FREEZE ONE PARTICULAR MOMENT IN TIME AND KEEP IT IN THE MEMORY.  “HOLD IT IN YOUR MIND,” HE ALWAYS SAYS.  HE IS TRYING TO GET YOU TO BE ONE MIND— ONE PERSON.  YOU’RE SPLIT IN TWO.

I feel weaker than ever now, though I am sitting.  I look over at Dr. Lencek who is standing nearby Tony’s desk working.  I want to hug him.  All the times I was so nasty to him when he was trying to communicate with me . . .

IT’S THE PLAN.  IT’S THE PLAN YOU OVERHEARD DANIELLE DISCUSSING WITH CAROLINE.  YOU OVERHEARD DANIELLE SAY HOW SURPRISED SHE WAS THAT THE PERSONNEL HEAD WOULD ALLOW THEM TO GO THROUGH WITH THE PLAN.  DANIELLE HAD THOUGHT THE HEAD WOULD HAVE SAID NO.  THEY WERE PLANNING TO SHOW YOU HAD TWO PERSONALITIES.

But why would they bother helping me in this way?  Why would they bother helping me at all after all my moodiness and fits of anger?

I am shaking now.  I try to get up from my desk to look up the call number for the book.  Dr. Lencek is standing by.  Tony and Danielle are standing to the side watching me as I try to get up.  I try to put one foot in front of the other.  It is as if I have forgotten how to walk.  My legs and feet don’t move the right way.  I look up at Danielle. She probably overheard most of the conversation between Tony and me from this morning.  She knows what is wrong with me.  This is why she has kept away.  She is watching me with an expression so dramatic that it is easy for me to see worry and compassion.  There are tears in her eyes.  For once I can feel the love.  I want to run into her arms and cry.  But I cannot walk.  It is as if I am a big baby and when I finally do manage to walk slowly past them to the back of the room, I am unable to respond when Eva passes by and says hello.  It is taking all my power and concentration just to walk to get where I am going.  I suddenly am so exposed.  Like a baby walking down the aisle.  But, no, it is like I am being wheeled down the aisle.  Something is moving me down the aisle and it is not my feet.  I am in a big, dark, round cave.  And in one corner of the cave is a small opening where the light shines in.

From Chapter 11 of my memoir on Amazon: http://www.amazon.com/Eye-locks-Other-Fearsome-Things-ebook/dp/B007TOOF56/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1345051643&sr=1-1&keywords=eye-locks  Also available on Barnes & Noble Nook, iBooks and Smashwords.


Fleeting Filigree


Moonrise through Filigree Trees

Winter is dying

and dead trees

are coming to life.

Your sap is starting to flow

bringing  forth birthing buds

of spring as

people clammer

for the greenery of summer.

But I love you most

when you are naked, nude, and vulnerable,

stripped bare of  beautiful-to-be sure

spring/summer finery.

I mourn your fleeting filigree

on this snow-showery day

of  comforting gloom and grey

and feel kinship with you

as you stand staunch against the cold

and stark against the feathery flakes of white.

I think you  most beautiful

in your bare-arm-intricacy,

and lace-like, linear patterns

drawn against a back-drop of sky,

as you reach for the Almighty.